Miranda Priestly’s Office in The Devil Wears Prada. As far as film sets go, those words can usually conjure a pretty clear picture of what that room looks like. Most of us know the iconic film still taken on the set: the powerful superiority of the beautiful, composed, and successful boss peering down at her anxious, cute, and uneasy employee. The Devil Wears Prada office itself seems very hard lined and sleek in this image.
But what is captured in this still is not the whole picture. When I decorated the film set on The Devil Wears Prada it was very important to us that it feel layered and interesting. The hard edged metal “desk”, really a dining table from Kartell, was given a layer of depth and warmth with a piece of amber glass on top of it. This addition of glass gave a warm but sleek shine that the metal alone did not achieve. The console table to the left of the desk is a fabulous vintage table by Mastercraft, textured brass and burled wood combine to create a rich warmth that helps bring some visual tension into the set – a push/pull of metals and materials.
Miranda was a very well traveled and artistic character who had a taste for the finest things — and a mission to make the world desire them. I felt that in order to inspire on that level, Miranda needed to have her own eclecticism. Without that, her office would be rote. Adhering to every rule is not what makes a Miranda Priestly.
One of the pieces I love in this office is the little french deco table that sits in back of her desk. Its curvy delicate quality in combination with B&B Italia chairs (upholstered in an unexpected green) nicely illustrate that design intention.
I think my favorite piece from the set though is the mirror over Miranda’s desk. We knew we wanted a mirror there – and we combed NYC and 1st Dibs to find the perfect one. We did hours of searching, show-and-tells with actors and directors, nothing felt right. One Saturday morning I found it, the perfect mirror, in a junk shop in upstate NY for $40.00. With the help of my Scenic Department, we painted it, leafed it, stripped it, and painted it again, until we got it exactly right. We hung it up before call and everyone came in to start the first day of shooting on the set. No one asked to see another option! We had found the perfect final piece of the set.
Because we decorated a room for the Dering Hall‘s virtual show house, with all of the items selected from the New York Design Center, I thought it might be a good time to go behind the scenes a bit! Hope it was fun to read! Enjoy the showhouse.
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Lydia Marks & Lisa Frantz